Editor's Notes
The view from here
Jonathan Levi named ITV Studios' head of arts and popular culture
Allan King events celebrate filmmaker at TIFF
Outright announces deals in South Africa, Israel
BBC Four commissions three arts series from Tern TV
ITV and Pulse ink global distribution deal for "Showbusiness"
Armoza Formats' "The Bubble" pops up in Lithuania
Babyfoot signs first look with ITV Studios
Crusty Demons come to TV with new series
"Real Housewives of New Jersey" reunion racks up big numbers for Bravo
Trinny and Susannah makeover The Netherlands and Australia
TV survey reveals Brits prefer docs
BET changes perception of NASCAR with new docu-series
Real-life drama in reality TV
Shearer's "Big Uneasy" hits theaters for one night only
'X-Factor' Auto-tune controversy a sign of how far show has come
Spike Lee talks HBO doc ahead of its premiere
Seven moves to three channels with male network 7mate
Online platforms put power in DIY filmmakers' hands
Hulu pursues an IPO
NPR blogger hypothesizes best DVD releases tend to be docsThe view from here
Random musings on the non-fiction biz
Our take on current and past film and TV projects
Industry experts offer their take
| by: | Feb 25, 2009 |
How does the mandate for this channel differ from the previous mandate for UKTV History?
In terms of mandate the idea of Yesterday is to make history feel more immediate and more relevant to a broader audience. We are taking natural history and what I call British outdoors programming off the channel. These have moved to our new channels, Eden and Blighty. Yesterday will have a greater focus on the events of living memory from World War II through the '60s and '70s to the present day. The ideal Yesterday program will give traditional history lovers the facts and the insight they seek with a great story to hook in a broader audience and encourage shared viewing. We will see more historical drama and more archive-based programming that brings to life popular culture in the post-war era.
How much of your programming will be acquisitions vs. coproductions vs. original commissions?
The channel is mainly fed by acquisition but we do have a budget for commissioning or co-production.
What advice do you have for producers hoping to work with your channel?
For this we have tended to look for programs that give a fresh insight into proven topics such as World War II backed up with great archive. But moving forward, we will be looking at other great events of the post-war era, and with the new targeting in mind, we will be looking for great stories that can break out beyond the core history audience.
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