Editor's Notes
The view from here
Jonathan Levi named ITV Studios' head of arts and popular culture
Allan King events celebrate filmmaker at TIFF
Outright announces deals in South Africa, Israel
BBC Four commissions three arts series from Tern TV
ITV and Pulse ink global distribution deal for "Showbusiness"
Armoza Formats' "The Bubble" pops up in Lithuania
Babyfoot signs first look with ITV Studios
Crusty Demons come to TV with new series
"Real Housewives of New Jersey" reunion racks up big numbers for Bravo
Trinny and Susannah makeover The Netherlands and Australia
TV survey reveals Brits prefer docs
BET changes perception of NASCAR with new docu-series
Real-life drama in reality TV
Shearer's "Big Uneasy" hits theaters for one night only
'X-Factor' Auto-tune controversy a sign of how far show has come
Spike Lee talks HBO doc ahead of its premiere
Seven moves to three channels with male network 7mate
Online platforms put power in DIY filmmakers' hands
Hulu pursues an IPO
NPR blogger hypothesizes best DVD releases tend to be docsThe view from here
Random musings on the non-fiction biz
Our take on current and past film and TV projects
Industry experts offer their take
| by: | Mar 18, 2009 |
Sassy, classy and brassy, raven-haired Rosalind Russell entranced audiences as a no-nonsense newspaper reporter in 1940’s His Girl Friday (with Cary Grant) and, in the Broadway production and the film of Auntie Mame, made the title character the role of her lifetime. Life is a Banquet uses rare footage obtained through Russell's family as well as clips from her best work to shine a deserving spotlight on the renowned star and philanthropist.
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