Editor's Notes
The view from here
Sparks Network to shop Battle of the Blades globally
BuzzTaxi's factual entertainment and docs drive sales
Orbita Max and Explora Films to distribute 'Arabia' internationally
Windfall Films adds to its development team
Compact Media Group renews pact with All3Media International's for secondary rights rep
Filming begins for Discovery's new Bear Grylls series
ITV Studios NY signs deal with Joseph Livecchi
Screen Australia's Indigenous Department head leaves
Screen Australia revises documentary programs
September Films returns to the 'Exterminators' for A&E
PBS to launch doc on Facebook
OWN adds to its executive team
Passing up cable TV to watch online
Documentary maker analyses ethics in edit suite
Actor and 'Two Coreys' star Corey Haim dies
Mayor of Taiji, Japan protests 'The Cove' Oscar win
Oscar nod doesn't guarantee increased audiences for docs
Huffington Post talks Oscar docs
Founder of Babelgum and Fastweb arrested
BBC to make major cuts: report The view from here
Random musings on the non-fiction biz
Our take on current and past film and TV projects
Industry experts offer their take
| by: | Sep 1, 2008 |
Jackson Hole Wildlife Film Festival
October 5 to 9, 2009 in Jackson Hole, Wyoming
Film submission deadline: June 1, 2009
Festival programmer: Lisa Samford, executive director
What is your programming process?
In June, preliminary peer judging committees review the films submitted into competition. These committees select three programs from each entry category to move forward. Our programming decisions center around those approximately 45 finalist films. Just prior to the festival, a final jury of five judges selects the winning film for each category, as well as the Best of Festival and any films they wish to recognize with a special jury award.
What's your advice to filmmakers submitting?
Sometimes it's useful to enter multiple categories so a film will be reviewed by more committees; if a film moves forward as a finalist in more than one category/craft, it gets more attention. As a programmer, I also like to learn about films that are not going to meet our completion deadline or simply don't fit the categories that I might consider for 'out of competition' screenings.
What's the standout film for you from the most recent festival?
Crude was really compelling - and timely. The film tells the story of oil, from the inside out, in an intriguing and visual way. The Queen of Trees was exquisite both visually and in its poetic storytelling, and I found Buddha, Bees and the Giant Hornet Queen equally amazing.
What are some of the biggest challenges in putting on the festival?
Held in Grand Teton National Park, we are a remote location with a limited number of flights and spotty cell coverage. But that is part of the attraction, too. It is a casual and intimate event where participants have tremendous access to each other. Last year we hosted our first public festival, and balancing the requirements of our private industry event with the broader expectations of a public event is demanding, but it was hugely rewarding and we will expand our efforts in 2009.
Now in its second year, The Factual Entertainment Forum: The Real Deal brings stakeholders in the reality TV/factual entertainment industry together for a day and half of inspiration, discussion about the current state of reality/factual TV and where it’s going, and of course, networking.
Register today for the Factual Entertainment Forum for only US$450* (includes admission to conference and the Factual Entertainment Awards presentation).
Register online or by calling Joel Pinto at 1-416-408-2300 ext. 650.
Early Bird offer expires on Friday, March 26, 2010.
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