Editor's Notes
The view from here
Dorothy Crompton joins Eyeworks Distribution
Endemol launches international sets for its formats
Sparks Network to shop Battle of the Blades globally
BuzzTaxi's factual entertainment and docs drive sales
Orbita Max and Explora Films to distribute 'Arabia' internationally
Windfall Films adds to its development team
Compact Media Group renews pact with All3Media International's for secondary rights rep
Filming begins for Discovery's new Bear Grylls series
ITV Studios NY signs deal with Joseph Livecchi
Screen Australia's Indigenous Department head leaves
PBS to launch doc on Facebook
OWN adds to its executive team
Passing up cable TV to watch online
Documentary maker analyses ethics in edit suite
Actor and 'Two Coreys' star Corey Haim dies
Mayor of Taiji, Japan protests 'The Cove' Oscar win
Oscar nod doesn't guarantee increased audiences for docs
Huffington Post talks Oscar docs
Founder of Babelgum and Fastweb arrested
BBC to make major cuts: report The view from here
Random musings on the non-fiction biz
Our take on current and past film and TV projects
Industry experts offer their take
| by: | Mar 1, 2008 |
Soon to have its world premiere at Hot Docs, director Paul Devlin's science and adventure doc Blast is the first film to use ArtistShare - an online community where people have traditionally donated funds to musicians. Devlin shares his experience of finding and building an audience using this alternative for cash-strapped filmmakers:
What are some of the challenges in finding support through this model?
We haven't quite figured out how to get to the people who want to [sign up]; part of the challenge is that my films are so diverse. If I did another film on slam poetry or something like Power Trip [Devlin's 2003 doc on the electricity crisis in Georgia], ArtistShare would blow up - people would be all over this thing. With Blast we've had to dig up a completely new demographic from scratch, so our challenge is to overcome that hurdle.
What are you learning about your ArtistShare audience as you go?
People have started to email about the production updates [behind-the-scenes videos to which only ArtistShare contributors have access], writing 'That update was really fun.' We posted a very casual update when we were accepted into Hot Docs, and that got a lot of feedback. The other updates were maybe too formal and stiff; so we're developing what might work as we go. And we did an interview on a live Internet radio show, and got sign-ups from that. So we're getting better at figuring out how to get people to sign up.
How do you hope things will change once the film is in festivals?
We couldn't show the film during the production updates, so it was hard to get people excited about something that was so abstract. Once the film comes out, it's less abstract and if we do get a community that jumps on, then I'm not so invisible. I don't appear in my films, but I do appear in the production updates, so once people sign up after the release, then we can bring this community from film to film. Even though the subjectmatter may be different, they'd become invested in our process rather than the subject. We hope that will be the breakthrough.
Now in its second year, The Factual Entertainment Forum: The Real Deal brings stakeholders in the reality TV/factual entertainment industry together for a day and half of inspiration, discussion about the current state of reality/factual TV and where it’s going, and of course, networking.
Register today for the Factual Entertainment Forum for only US$450* (includes admission to conference and the Factual Entertainment Awards presentation).
Register online or by calling Joel Pinto at 1-416-408-2300 ext. 650.
Early Bird offer expires on Friday, March 26, 2010.
Privacy
About realscreen
Advertising
Feedback