A publication of Brunico Communications Ltd.

Special Focus: The global coproduction update

Money has always been hard to come by, but it was usually available for those intrepid souls willing to share their ideas with partners around the globe. In the spirit of 'many hands make the budget lighter,' filmmakers have turned to coproductions as a way of realizing their cinematic aspirations. To judge the opportunities available to filmmakers, realscreen makes stops in Australia, Canada, France, Germany, the UK and the US to see how changes locally might affect productions internationally

Germany

Keeping up with Les Joneses
by: Jan 1, 2008

One year ago, in the interest of keeping up with the growing French film industry, the German government and the German Federal Film Board (FFA) announced a change to the German Federal Film Fund (DFFF). Under the new program the federal government provides annual grants to the tune of €60 million (US$88.7 million) to German producers.

Applications for funds do not have to be submitted at a certain time of year, as there is no jury that meets to distribute funding. Rather, cash distribution is decided upon by the FFA. For an official coproduction to apply for funding, the German producer is only required to have produced at least one full-length film in Germany (or another member state of the European Union) within five years of the application. For documentaries, said film must have had commercial release in German cinemas with distribution of at least four copies in order to meet the requirements.

First films are also eligible for funding through the DFFF as long as the Federal Government Commissioner for Culture and Media (BKM), the FFA or one of the regional film boards gives approval. Qualifying documentary films must have a running time of at least 79 minutes, production costs of at least €200,000 ($295,000), with at least 25% of production costs spent in Germany. The grant can cover up to 20% of the approved German production costs. A cultural eligibility test must be filled out in order to test qualifying films and will be graded on a point system.

Based in Berlin, the FFA began in 1968 as the result of a law passed in the interest of the promotion of German cinema. It is partially funded by a film levy of 1.8% to 3% of annual gross turnover from German exhibitors and video distributors, as well as public and private television.

While the DFFF is clearly targeted at higher-budgeted, theatrical releases, regional funding is also available through seven different areas of Germany. Each region (or lander) has its own policies for dealing with cultural funding. Berlin-Brandenburg and North Rhine-Westfalen are notoriously the bigger regions for funding and are the most typical areas for coproducing. The Berlin-Brandenburg Medienboard was founded in January 2004, and supplies funding to major films and TV productions. Funding given by the Medienboard is only meant to be paid back by 'successful' films.

North Rhine-Westphailia partnered with broadcaster WDR in 1991 to create the Filmstiftung Nordrhein-Westfalen, a project intended to promote local films and create jobs in the film production industry. Since adding the cooperation of broadcasters ZDF and RTL, with an annual budget of €33 million ($48.7 million), the Filmstiftung makes funding available to producers who spend at least 150% of the money they receive in the region. The Baden-Württemberg region, while smaller on funding than the previous two, is supportive of larger docs through its media program (mfg) with an annual budget of €10 million ($14.8 million), and the Baden-Württemberg Award for Best Documentary that is awarded biannually and comes with a prize of €20,000 ($29,500).

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