Editor's Notes
The view from here
Veria TV brings health programs to MIP
Endemol announces MIP slate
Off the Fence makes inroads with travel
NHNZ gets ahead in CG
NBC networks debut in Thailand
RDF Rights' first US/Canada simulcast
Britney Spears special launches at MIP
More celebs in rehab for RDF Rights
Portfolio announces pre-MIP deals
September secures rights to big wedding show
Vanity Fair lists best of documentary films
Hulu offers Crawford as first feature
Obama's camp to unveil doc
Wildlife narration Newman's last credit
Britain could face heat for Supernanny
Telling someone else's story ain't easy
Infamous 'Treeman' losing growths
Nat Geo's profile of stress
update: BskyB ordered to cut back ITV stake
Documentary infiltrates films at New York Film FestivalOur take on current and past film and TV projects
Industry experts offer their take
| by: | Oct 1, 2006 |
Ann Julienne, head of acquisitions and international coproductions, France 5, France
Often when a distributor says: "We know this might not be quite right for you..." it's fair to say the broadcaster likely won't be interested. But for Julienne, if you're a distributor who's done their homework and not only knows the channel but also the formats for which France 5 is looking, and what slots are available, proposing a different kind of film is more acceptable. "We know they are making the assumption that we should look at it on a well thought out basis," she says. Otherwise, she's wasting a lot of valuable time reviewing programs that are outside of her editorial policy. "It becomes too much of a chore to work with them," she admits.
Speaking of a lot of work, Julienne believes some distributors haven't grasped the fact that she spends a significant amount of time screening product. "They think it won't hurt us to screen something they aren't sure will work because we have time to do so, but we don't."
Markets are harrowing for everyone in attendance, and Julienne has experienced moments where distribs have attempted a hard sell outside of a meeting space. "In the corridors, in hotel lobbies and elevators and yes, especially in the rest rooms," she says. Probably areas where it's best to hold off on the pitch.
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