Editor's Notes
The view from here
Web TV gains popularity
First Hand offers new fall fare
Michael Moore film will be released as free Internet download
Doc/Fest will host NFB cross media challenge
Deadline entry for Wildlife Vaasa Int'l Nature film fest nears
DCD snags factual exec from Endemol
Fall brings change at Icarus Films
Mexico's TV Azteca picks up Lightworks' fare
ROSCAR call for entries
DRG expands to North America
Paris the manipulative heiress
TIFF shows free docs outside
How VP candidate Sarah Palin compares to reality TV
A close look at NextFilm
TrueTube: Human rights are not for everyone
82-year-old cuts a rug on Dancing with the Stars
American Idol winner is singing the (financial) blues
America fascinated with fat? NY Times
Is Google laying underwater cables?
Is Sony auctioning a walk-on in Spiderman 4?Our take on current and past film and TV projects
Industry experts offer their take
| by: | Oct 1, 2006 |
SARA BERNSTEIN, director of documentary programming, HBO (US):
Sitting next to an anxious Adrian Grenier at the first sold-out screening of [his doc] Shot In The Dark and realizing this small, intimate film has made it to a very big screen. I mean, have you seen the screens at the Paramount?
JAN ROFEKAMP, president and CEO, Films Transit International (Canada):
TIFF is the perfect testing ground to see a film's potential. There are foreign and domestic people there, DVD people, and it tells us if we should continue on the theatrical road for a doc, or move it to the broadcast market.
VINCENZO MARRA, director, The Session is Open (Italy):
For me, Toronto signifies sharing a cinema experience that unites us with 350 other crazy people. I was happy to be at one of the most important festivals in the world, seeing a land chosen by many Italians.
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