Editor's Notes
The view from here
Web TV gains popularity
First Hand offers new fall fare
Michael Moore film will be released as free Internet download
Doc/Fest will host NFB cross media challenge
Deadline entry for Wildlife Vaasa Int'l Nature film fest nears
DCD snags factual exec from Endemol
Fall brings change at Icarus Films
Mexico's TV Azteca picks up Lightworks' fare
ROSCAR call for entries
DRG expands to North America
Paris the manipulative heiress
TIFF shows free docs outside
How VP candidate Sarah Palin compares to reality TV
A close look at NextFilm
TrueTube: Human rights are not for everyone
82-year-old cuts a rug on Dancing with the Stars
American Idol winner is singing the (financial) blues
America fascinated with fat? NY Times
Is Google laying underwater cables?
Is Sony auctioning a walk-on in Spiderman 4?Our take on current and past film and TV projects
Industry experts offer their take
| by: | Jun 1, 2006 |
The origin of the problems lay with the initial production - and some Faustian budget decision-making. Blackside founder Henry Hampton and his team felt the pinch of limited funds when rights were initially being negotiated. "With the first series, we cleared pbs broadcast and non-theatrical educational audiovisual rights," says Cindy Kuhn, the post-production supervisor on the series. "We subsequently cleared foreign broadcast for standard television, not cable." While some rights were acquired in perpetuity, most were for limited periods of time. In total, 82 footage sources, 93 stills sources and 100 songs had to be cleared.
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