Editor's Notes
The view from here
ITV hires new factual controller
Lion Television brings twist to property factual
New VP of Production at A. Smith
Jon & Kate Plus 8 scores big with wedding
Leopard UK & USA add heads of production
Off the Fence produces two shark films for Nat Geo Int
Whale Wars gets top ratings for Animal Planet
AETN finalizes deals with German broadcasters
Oscar's shortlisted docs announced
Reel Asian Film Fest announces winners
No Religulous nomination? Blasphemy
Hip-hop doc explores misogyny of the genre
Activist blogger attempts to boycott Sundance
Salon's O'Hehir sees same old docu-Oscar problem
Indie Films on Amazon
NY Times reports on risky Turkish doc
In-depth talk of upcoming Obama doc
NBA star pitches Darfur doc
Exclusive Remembrance Day film on NFB site
UK audience numbers growingOur take on current and past film and TV projects
Industry experts offer their take
| by: | Jun 1, 2006 |
With today's competitive schedules, wildlife films have been reinvented in order to attract younger audiences. One name cited by producers as a leading light in this respect is Animal Planet International commissioning editor Mark Wild.
Films recently commissioned by Wild tackle familiar-sounding themes, but they do so with style and ambition. One example on view at mip this year was Great Savannah Race (which Wild also exec produced with partners Tele Images), a film about the great African wildebeest migration. Shot entirely in HD, it was produced over a period of 18 months, with satellite technology used to capture the migration's full majesty. The drama of the event was enhanced by the decision to focus on the daily struggles of 15 animals earmarked by zoologists as most likely to survive.
Another recent commission - Meerkat Manor - saw Animal Planet International, Wild and producer Oxford Scientific Films fuse natural history with docusoap techniques. First seen in September 2005, Manor follows the everyday life, from squabbles to love affairs, of a family of meerkats in the Kalahari Desert.
Wild has also backed projects that promote the challenges of global conservation. In partnership with the WWF, API produced Planet Action, an eco-reality series that takes on environmental crises by getting an international team of amateurs to tackle six different conservation projects. Credit is also due to Peach Gibson, acting GM and VP, creative and development, and exec producer on all of the above.
One producer familiar with Wild says the CE has worked out how to be creative on limited budgets. "His great strength is that he understands and trusts producers - and because of that he wins their loyalty. He's cooperative and enjoys collaborating on ideas, which gives his output a more innovative and creative feel than most."
Privacy
About realscreen
Advertising
Feedback