Editor's Notes
The view from here
ITV hires new factual controller
Lion Television brings twist to property factual
New VP of Production at A. Smith
Jon & Kate Plus 8 scores big with wedding
Leopard UK & USA add heads of production
Off the Fence produces two shark films for Nat Geo Int
Whale Wars gets top ratings for Animal Planet
AETN finalizes deals with German broadcasters
Oscar's shortlisted docs announced
Reel Asian Film Fest announces winners
No Religulous nomination? Blasphemy
Hip-hop doc explores misogyny of the genre
Activist blogger attempts to boycott Sundance
Salon's O'Hehir sees same old docu-Oscar problem
Indie Films on Amazon
NY Times reports on risky Turkish doc
In-depth talk of upcoming Obama doc
NBA star pitches Darfur doc
Exclusive Remembrance Day film on NFB site
UK audience numbers growingOur take on current and past film and TV projects
Industry experts offer their take
| by: | Apr 1, 2006 |
Hybrid Films
New York, US
www.hybridfilms.tv
Hybrid Films must be doing something right. Its flagship show, Dog The Bounty Hunter, about a leather-clad family of bounty hunters, has been airing on A&E - formerly known as the home of the blue-rinse set - to wide acclaim and copious press. Dog drew 1.7 million viewers in its second season, half of them aged 18 to 49, so it was a no-brainer for A&E to sign on for a third round. (For more on A&E's sked tinkering, see the February/March 2006 issue of realscreen.) Hybrid co-founder David Houts says a key factor in working well with the cable nets is "a lot of very clear communication" before shooting starts. "Everyone should be on the same page when you start to shoot," he says. "Then, when you get to the rough cut it becomes collaborative, not antagonistic."
Recent titles: Dog The Bounty Hunter, Family Plots,, Take This Job
Hours this year: 18
Upcoming includes: Dog The Bounty Hunter, season 3 (A&E), King of Cars (A&E), and others
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