Editor's Notes
The view from here
ITV hires new factual controller
Lion Television brings twist to property factual
New VP of Production at A. Smith
Jon & Kate Plus 8 scores big with wedding
Leopard UK & USA add heads of production
Off the Fence produces two shark films for Nat Geo Int
Whale Wars gets top ratings for Animal Planet
AETN finalizes deals with German broadcasters
Oscar's shortlisted docs announced
Reel Asian Film Fest announces winners
No Religulous nomination? Blasphemy
Hip-hop doc explores misogyny of the genre
Activist blogger attempts to boycott Sundance
Salon's O'Hehir sees same old docu-Oscar problem
Indie Films on Amazon
NY Times reports on risky Turkish doc
In-depth talk of upcoming Obama doc
NBA star pitches Darfur doc
Exclusive Remembrance Day film on NFB site
UK audience numbers growingOur take on current and past film and TV projects
Industry experts offer their take
| by: | Oct 1, 2005 |
When RealScreen debuted its coproduction diaries feature in 1997, international collaborations were a new phenomenon that presented both producers and broadcasters with unpredictable and complex issues. Today, the industry is still grappling with multi-party contracts, but experience has worked out many of the more frustrating wrinkles. In the meantime, new dilemmas associated with the explosion of lifestyle and factual entertainment shows have cropped up to challenge the industry. To address these, RealScreen deviates from its traditional coproduction diary formula to examine two productions that turn the audience at home - and in one case, the audience's homes - into the subjects of series. Forget the controlled environment of the studio. Say goodbye to the confines of a perfectly edited script. Real people are unpredictable, unreliable and occasionally mad. How will producers survive? The two stories that follow show how pros can convert even chaos into creative.
Diary 1: RDF's Road Rage School
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