Editor's Notes
The view from here
WE tv Asia runs wedding marathon for Valentine's Day
Andrea Wong leaves Lifetime Entertainment Services
Canadians and Americans honor Black History Month with doc screening
Canada's Citytv picks up Seinfeld's 'The Marriage Ref'
SBS commissions two formats from ITV Studios Global Entertainment
Endemol names EVP of acquisitions for North America
Waterlife wins multimedia award
Beyond to bring Cream's 'I Could Do That' to MIP
Breakthrough sells 125 hours
Discovery Health to mark Rare Disease Day with Disease Detectives
On 'The Virtual Revolution'
Johnny Depp puts on director's hat for doc on Keith Richards
'Fog of War' editor killed in hit-and-run
CBC doc examines mental effects of marijuana
Chimps manning cameras for BBC doc
L.A. Times pays tribute to Larry 'L.A.' Johnson
Good year for docs at Sundance
Redford hypes the future of docs
Participant and EW team up to ask Sundance directors "your" questions
"Balloon Boy" doc director believes film will clear Heene's nameThe view from here
Random musings on the non-fiction biz
Our take on current and past film and TV projects
Industry experts offer their take
| by: | Oct 1, 2003 |
French doc producers attending this month's MIPCOM (October 10 to 14) in Cannes, France, have reason to feel hopeful about inking copro deals.
According to figures released by the Paris-based umbrella organization TV France International, French doc producers had a good year in 2002 - especially those involved with big-budget international copros. Foreign investment in doc copros nearly doubled to 23.9 million euro (US$27 million) in 2002 from 12.2 million euro ($13.7 million) in 2001. In terms of presales, there was a modest increase to 7.4 million euro ($8.4 million) from 6 million euro ($6.9 million). Sales of completed docs, however, fell to 23.5 million euro ($26.5 million) from 28 million euro ($31.6 million). Other sectors of the production industry didn't do as well; revenue from French TV sales, copros and presales overall fell 32% in 2002 to 230 million euro ($260 million) from 335 million euro ($378 million).
However, there are signs of a general turnaround. "Over half our companies at Le Rendez- Vous [TVFI's Saint Tropez market, September 9 to 11] said they did more business than last year," says TVFI executive director Mathieu Béjot. He adds, "The mood - still to be confirmed at MIPCOM - is less gloomy than it was a few months ago."
Docs are again expected to lead the charge. At Le Rendez-Vous, the most widely screened film was The Junction (Paris's Point du Jour and New York's At Media).
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